Above: Brainiac. I can remember exactly where I was when I heard that Timmy Taylor was dead. Bonsai Superstar was easily my favorite record of 1994 (and 1995), and I'd been eagerly awaiting a live show. I still use the Timmy Taylor Defense whenever it doesn't make financial or geographical sense for me to go see a live show that I will one day regret not seeing.
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So, Family Tapes gig 2 was better than the first one, but still mostly helped us realize what we don't want to do.
But OK, also what we do want to do, some of which I think is to play compositions. This is part of a new piece that we tried for the first time on the day of the gig (like, with at least one person seeing their written parts for the first time that day), where two notes in a row are rarely played by the same guitarist (in this section we each play every 5th note). In its original context, this bit (loop 4) lasts for about 10 seconds, this is an experiment to see what happens if it lasts a little longer.
The Family Tapes: The Happy Days (4/13).
The Family Tapes: The Happy Days (4/13).
And this excerpt is not actually composed, but we knew we were going to do it: this is us blowing on the strings with amps turned up very loud.
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