Friday, March 20, 2009

minister kebab: tone pig.



















Minister Kebab live at Zaal 100, Amsterdam. 18 March 2009.










Hilary Jeffery: trombone, tromboscillator, voice
Mark Morse: feedback, samplers, electric guitar, analog synths, voice
Alan Purves: drums, bells, mallets, whistles, tubes, inflatable animals, seven thousand other things

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Thursday, March 12, 2009

six more weeks of winter.



Minister Kebab is ducking their collective head out of its collective hole next week, our first gig since 2006. To commemorate this auspicious moment, here are 3 truly uninformative videos, plus audio from a 2006 performance. That cheap-ass guitar sound in the first clip is not me, it's Gunga playing something through a guitar amp, which makes it almost OK.

Here's an MP3 of the whole show @ Zaal 100, Amsterdam (06 December 2006).

Minister Kebab: Please Please David Put Out The Lights (50:04).



Mark Morse: guitar, samplers, feedback, voice
Alan Purves: drums, percussion, brim bram, wee bells, squeakology
Hilary Jeffery: trombone, tromboscillator, voice.





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Friday, March 6, 2009

turn your speakers down.



Catching up on YouTube's collection of Japanese noise. This is from 1993, which was a year after Hijokaidan and K.K. Null and everyone else on the Dry Lungs V compilation erased whatever personal musical boundaries I'd drawn up to that point.  I embed this video b/c I couldn't embed this one

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Thursday, February 19, 2009

disconnection.

















My rider very specifically states that all performance photos of me must be taken from the same POV.

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Sunday, February 8, 2009

the family that plays together.

















The Family Tapes
had their first gig in early January. Was it....fun? Yes.

Was it....good? I think it was probably OK. I mean I have the recording, but it doesn't sound like music yet: instead I'm just trying to figure out what I'm doing to see if I should congratulate myself or set myself aflame.

Actually figuring out what I'm doing is pretty easy on bits like this next one, because I'm playing the role of disruptor. But I think in general it became clear that we can't continue to Just Let Things Happen, we're just not getting diverse enough results: we need some structure. Here's the first 4 minutes of the show, wherein I demonstrate me some handheld amplifier technique.

The Family Tapes: The Shyboy Opening (10MB).








So you see what I mean. We're taking some steps to try and force ourselves into new territory: we're doing some writing and we're working on getting some external composers interested in writing for Family Tapes...which will either fix us or break us for good. The latter would be untimely, yo: we just made disquiet.com's Best of 2008 list.
















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